Ixchel Suárez Textile Artist
Encounter Mexico Canada
Anahuac University, mexico City 2011 Ontario Arts Council  Visual Arts Grant Commissions and artwork for sale Tapestries in progress Project at Joshua Creek Heritage Art Centre Commisioned tapestry Nocturno Autumn Trails Time has passed Arts About Town Magazine Batiks Oakville Tapestry Studio Aboriginals here and there. Process Savanah in progress New Commission Oakville Painting Studio When 13 Moon Emtwine.
International textile Arts event in the Outaouais Oakville Handweavers and Spinners Guild Textil Creativo Man of aThousand faces details Anahuac University Textile Art Studio WASOON 2008 UNAM Gallery in Ottawa 2008 Gloucester Gallery Exhibit, Ottawa 2008 photography Largest Tapestry in the World Press review Yukon Fields with me Project at Joshua Creek. Creative Textile School Hunab Ku tapestry in progress Purple and Pink Universe. Detail Genesis Miniature Blue Lodz2 Poland 3 Scherzo universe Aboriginals Here and there Aboriginals Here and There Aborginals here and there.
Yukon Fields Largest Tapestry in the world Activity Constant movements Tlatoani Experience in Texture Hidden Textures Tryptic in progress detail of the tryptic Batik exhibit in UNESCO HALL, Paris 20 years ago Yukon fields Inner World of Abaca Tlatoani. Detail at my work At my work Nucleos Warrior Caballero Azteca Textile Studio. Anahuac University
Ixchel Suárez
Artist Statement



Tapestry is a traditional medium that after 30 years of experience has drawn me to explore the vision of applying it into different ways. My formal training of Design, Photography and Textiles in Mexico,my country of origin, gave me firm basis to understand the traditional structures of fibre and weaving. The influence I experienced while being introduced to the Eastern European Polish textile art and now my immersion into a diverse culture such as Canada has widened my spectrum of possibilities to explore with non-conventional materials. My knowledge in photography has been a very important support and tool for creating my textile art. Through the lens I capture images of nature such as textures, reflections, surfaces. These images are then transformed into fibre language with natural and synthetic fibres.
Once the images are interpreted through a textile form, they become my second skin. Nature and texture as my great inspiration; Weaving as a metaphor of fertility, connection, tissue, skin. All as a fractal of nature...they all connect us all into this ever-changing world.